SLOW SUNDAY
Milano 2019
Director + Production
SLOW SUNDAY
Director + Production & Art LORENZO VILLA
DoP FRANCESCO MARULLO
Camera Ass MARCO ARTUSI
Focus Puller MATTEO CANZANO
MuA & Hair SERENA PALMA
Styling Ass LUZ DEL CARMEN
Photo Ass FRANCESCO LO CAMPO
Model EVA HOOFT @ MONSTER Milano
NUMERO RUSSIA
Milano 2019
Director Assistant + Photographer Assistant + Production
ARLES IN MUSIC – K7 KARTELL 70Y
Milano, 2019
Camera + Editing
ARLES IN MUSIC – K7 KARTELL 70 YEARS
@ PALAZZO REALE MILANO 2019 DESIGN WEEK
Art Director LUCA STOPPINI
Director DIMITRI DIMITRACACOS
Camera & Editing LORENZO VILLA
Camera MARTINA ROSA
Musicians PUNTO-Y-APARTE
Chairs KARTELL MOISES by PHILIPPE STARCK & EUGENI QUITLLET
MOSCHINO CHINESE YEAR 2019
Milano 2018
DoP Ass + Gaffer
DSQUARED2 EYEWEAR
Milano 2018
DoP Ass + Gaffer
DSQUARED2 EYEWEAR – A DREAM BEFORE XMAS
Director SENIO ZAPRUDER
Art Director RICCARDO BIXIO
DoP TIMON DE GRAAF BOELE’
DoP Ass LORENZO VILLA
Camera Op. DANIELE DE PICCOLI
Camera Ass CARLO PASTACCINI
Gaffer FRANCESCO ALESSANDRINI
Gaffer Ass DAVID COSTA
MOSCHINO XMAS TEDDY
Milano 2018
DoP Ass + Gaffer
TERRAFORMA SUPER 8
festival flashback // Milano 2018
Concept + Camera & Editing
Idea, Camera & Edit by Lorenzo Villa Shot in June 2018
@ Terraforma, c/o Villa Arconati, Bollate (MI)
Video was born as Super8 “TEST” for GREYGREEN “Flashback” Scenes – a MENUETTO FILMS Production
Film: Super-8 Kodak Vision 50D
Camera: ROLLEI SL 85
Special thanks :
DONATO DOZZYTROPIC
DISCO SOUNDSYSTEM (IT)
TERRAFORMA FESTIVAL
ICEBERG FRAGRANCE
Berlin 2018
Director Ass + Photographer Ass
ICEBERG FRAGRANCE WORLD CAMPAIGN
Director SENIO ZAPRUDER
Art Director RICCARDO BIXIO
DoP KARIM ANDREOTTI
Camera BERNHARD RUSSOW
Director Ass / Photographer Ass LORENZO VILLA
DSQUARED2 FW 18
Milano 2018
DoP Ass + Gaffer
CALZEDONIA – LEGS & THE CITY
Milano 2018
DoP + Gaffer
PUPA VAMP
Milano 2018
DoP Ass + Gaffer + 2nd Camera
VERSACE FALL-WINTER 2018/19
Milano, 2018
Binx Walton
Cara Taylor
Teddy Quinlivan
Kaia Gerber
Kiki Willens
Rianne Van Rompaey
DoP Ass + Gaffer
VERSACE’S MILANO 2018 F/W COLLECTION @ PALAZZO REALE
Director SENIO ZAPRUDER
Art Director RICCARDO BIXIO
DoP TIMON DE GRAAF BOELE’
SteadyCam Op. ARMANDO AVALLONE
DoP Ass / Camera Ass LORENZO VILLA
Gaffer DAVID COSTA
ZALANDO
Berlin, 2018
DoP Ass + Gaffer + Grip
VERSACE FALL WINTER 2018/19
Milano, 2018
Cara Taylor
Alpha Dia
DoP Ass & Gaffer
Shot with RED and FreeFly Systems Gimbal at Società del Giardino, Milano
CHANEL SUNGLASSES
Milano, 2017
DoP Ass + Gaffer
VERSUS VERSACE
Berlin 2016
Camera Operator + Grip
Shot with RED Scarlet and Dolly in Arena Club, Berlin
FURFRIEND – AT THE PARTY
Berlin 2016
Camera Operator
VOGUE ITALIA X MOSCHINO
Berlin 2016
Camera Operator / DoP Ass+ Lights (Gaffer)
| VOGUEITALIA + MOSCHINO + FFFM – ZaprudersInfernal from Senio Zapruder |
Film by Senio Zapruder for Moschino: this is one of the ten Fashion Films was produced together with VogueItalia for “ThroughMyEyes”, a special project of the third edition of Fashion Film Festival Milano, in 2016.
Shot with RED Mini
RAVE ON – HUNGER TV
Berlin 2016
DoP Ass + Gaffer + 2nd Camera Op | DELVE INSIDE THE MINDS OF BERLIN TECHNO RAVERS | RAVEON, a HungerTV original documentary from filmmaker Senio Zapruder that explores the realities of techno ravers in Berlin, questioning, observing and analysing the main feature bonding these people together: dancing. Zapruder had this to say, “if our body is a tool for the interaction with the world through operations of spatial alteration, then every movement, every gesture is meaningful, it’s a message itself. The more their lives get sophisticated, the more they are pushed far away from their self-consciousness; becoming, little by little, strangers to themselves, incapable of listening to their own voices. “ Shot with SONY α7s II + Canon 5D Mark II + Canon Super-8
HARD 2 LOVE
Berlin 2016
DoP Ass + Gaffer
Fashion Short Movie exploring subculture sexuality in urban Berlin
“HARD2LOVE was born as a study on sexual behavior. It’s not a documentary, I have re-interpreted and re-purposed the topic. Since I live in Berlin (I moved a year ago from Milan) I was able to get in touch with different cultures, especially cultures from Asia. I always had a strong curiosity towards the East. In Milan I lived in the small district of Chinatown and was always intrigued by the relationship that this community had with sexuality. I never understood and I never documented what I saw.
Here in Berlin, though, I found several characters who are very open sexually, who are into bondage and fetish and are willing to explore and talk about it. In my mind I imagined that in every one of them lived a demon, ready to execute the sexual partner, it was that imaginary mind that is realised in HARD2LOVE. It sounds macabre, but the film still has humour.
It was not easy to find consensus about the movie. I tried to contact some magazines, they all rejected it. I kept the film in the archive for four months, a bit discouraged. Later I told myself it was a project that I really wanted to publish, so I posted on my website. I have never received so many positive messages in my life. I did not use a famous model. I have not used a million dollar location. I shot the video in the hall of the apartment I live in.You’ve got to believe in what you doing.” – Senio Zapruder
Shot with RED Dragon + Canon HI-8
DSQUARED2 – SHADY RIDERS
Berlin 2015
DoP Ass + Gaffer Fashion Short Movie for DSQUARED2 new EYEWEAR’s line 2015
DSQUARED2 – TWIN PEAKS BAGS
Berlin 2015
DoP Ass + Gaffer 
ATELIER FRANCESCO – LIGHTWEIGHT
music artist promotion // Berlin 2016
Director + Producer
| Artist & Live set Promotion|
The mysterious Berlin-based artist offers a first peek into his live set up, featuring heartbeats, leafs and deconstructed violins..
Director / Producer : Lorenzo Villa
DoP / Camera : Timon de Graaf Boelè
Gaffer : Luca Caciagli
Assistant I : Mako Ojiro
Assistant II : Tymnah Pyka
ERCOS BLANKA – A DIFFERENT MAN
music videoclip // Berlin 2014
Concept + Camera Operator + Editor
IL PEDALE DELLA RESISTENZA
video installation // Milano 2012
Concept + Camera Operator + Editor
Video made for an art exhibition focused on bicycles in
Sesto San Giovanni – MI (Italy)
Resistance history, who’s very strong in that city, allowed me to show monuments and tombstones devoted to it, through all the five areas of the township.
This video was created step by step thanks to a bike path acheived from a document which lists all of these spots.
Shot with Canon 7D + GoPro Hero2
Technical description:
1 video projector for 3 synchronized screens
aRITRATTO DI CITTA’
Video Installation // Milano 2016
Ambient Electronic Music Composition for 8 screens
(Sound Design by TOMMASO LEDDI – Stormy Six)
AMFITEATROF FESTIVAL
live concert // Levanto 2013
Multimedia building + Live Visuals
808 Ensemble with Laura Morandini | Levanto, Villa Agnelli
A recreation of Verdi’s salons of 1800
Music tracks were introduced by the film critic Laura Morandini, adding speech on video coming from famous scenes of Fellini, Herzog, and many more, each one related to classic music that was played in different aspects and places, then so different and distant from Theater and Opera places, and so does the festival Massimo Amfiteatrof in the Cinque Terre area.
In the marvellous Villa Agnelli’s entrance garden , and the hill that raises up to the Villa, faces the harbour of Levanto, small diamond of Liguria, Italy, just aside of the famous Cinque Terre.
The Multimedia building of the screen for the projection, as long with the stage position, created thus combined with the location structure and suggestions from the nature surrounding you, exactly in the point where the sea meets the mountain, as its so the land itself.
CAPITOLIUM
multimedia museum // Brescia 2013
Multimedia Building + Video shooting
The Rituals of Day and Night The eastern cell of the Capitoline temple, is home to an environment from highly theatrical references, characterized by a staging consisted of several elements. At the center of the classroom is an “animated model” which is the main attraction and, at the same time, an effective way of introducing the visitor- through the use of its interactive board – to the knowledge and the exploration of the physical and emotional archaeological site. The second element, equally important, are the two side systems of curtain textiles, whose screens are touch-sensitive surface, allowing visitors to partecipate in the experience of visiting. Another curtain textiles, this time single, placed over what remains of the votive altar of the cell, in the form of a projection screen is proposed as an additional evocative surface.
Technical description: 6 video projectors, 4 MacMini, 15 capacitive sensors (plastic), two touch sensors (textile hangings), 4 speakers, 2 audio amps
COMMON GROUND: Exitium Milano / GPSme
multimedia exhibition // Milano 2013
Producer + Multimedia & Software Development | Milano, Fabbrica del Vapore | Common Ground is a project developed by Klaus Fruchtnis and Pau Garcia with the collaboration of Istituto Europeo di Design and Studio Azzurro, within the FDV Residency program curated by CareOf. common ground / ˈkä-mən ˈgrau̇nd / noun a basis of mutual interest of or agreement The city has defined itself, since its origin, as a double territory with two qualities: to form a delimited space and, within that space, to connect to other territories. The elements of the city evolve in time, allowing its territory to grow out of its geographical and tangible limits. As a delimited space, it develops a public perception, not only visible (with the right to be overseen) but also accessible (with the right to be visited and experienced) by its inhabitants. Klaus Fruchtnis and Pau Garcia have defined the city of Milan as a common ground for exploration and development for their residency projects. After a couple of weeks working in the field, the artists have reached a common field where they have encountered many intersections to explore together. Their common goal is to discover an intimate city – the one reserved for the inhabitants – a space of flanerie (sauntering) and wandering where a memory of a place can become very personal, whilst at the same time add to the collective definition of the identity of that same place, and the city as a whole. GPSme and Exitium go beyond the bounds of any assumptions about forms. The projects highlight and converge on a personal point of view to describe the joint conjunction of form and consciousness as a collective perception. Technical description: Interactive and partipatory installation (digital drawing, 3D-audio scultptures, video and audio) 2 videoprojectors, 10 audio speakers, 1 Monitor Touch Screen 24″, 1 Mac Mini, 1 interactive videoplayer HD, 6 audio players, 2 audio amplifier, 6, profile spot lights, interaction systems
CONTINUUM VITAE The dialogue of light from day to night | Minori (SA), Villa Romana There is continuity between our present lives and those of the ancients who lived in these places. In an ideal gash of time, life goes on smoothly and serene, the spaces are so still inhabited, gestures, sounds and actions are followed even in their natural rhythm, in the unfolding of the day, in the scan of hours and in varying light. “Continuum vitae”, realized in the Villa Romana in Minori, is the first of the possible interventions of the project Ozi Marittimi. The project consists of two parts, the first consisting in a show event that took place in late April in the outdoor spaces of the Villa, the second consisting in the multimedia permanent path realized within the site. Technical Description:
theater show // Minori 2012
Video Shooting: Gaffer + Grip
Project Ozi Marittimi, 2012
The show has complied as a multimedia theatrical work into four parts with a prologue and an epilogue which had as the stage and the audience in the courtyard of the Villa. Thanks to the permanently multimedia route, the public can interact with multimedia installations, which return excerpts of staging media. In some representative rooms you can in fact relive some moments of the show, through visual and audio materials that tell, from cores of senses, the activities of a typical day in a villa on the Amalfi Marittima.
The staging was developed in the narration of a typical day in the
“Villa of Idleness”, based on a careful collage of ancient texts was supported by digital sets and actions recited by actors-servants of the scene:
2 projectors 7000 AL, AL 12000 2 video projectors, video projectors 3 5000 AL,
1 light mixer, one light dimmer, 8 radio microphones, 1 audio mixer,
4 active Sound Speakers, 2 Mac Pro, 2 Framing 1000w, 7 Ribalte 500w lights,
6 lights PAR 1000w;
The route consists of 6 multimedia interactive video installations that return excerpts of the staging. Placed in representational spaces, they tell, for cores of sense, the activities of a typical day in a villa on the Amalfi Maritime at the time of the roman area:
6 video projectors 5000 AL, 6 HD video players, 6 Arduino boards, 4 pairs of audio speakers, 4 audio amplifiers, 5 shapers, 10 fireflies, 1 light dimmer, 150 meters of LED strip
RISVEGLIO | Allegoria di figure e musica Opening of Gallerie d’Italia ‘800 | Milano, Piazza la Scala The intervention in support of the initiative for opening Galleries Piazza Scala, has transformed the quadrilateral that houses Palazzo Beltrami in a spectacular extension of the collection on display inside the rooms. Enhancing the metaphor of a picture gallery which is manifested to the city by being public, visible and ready to return a value of beauty to its history. Technical description:
video installation // Milano 2011
Producer + DoP Assistant 
Hence the idea of characters drawn from the apparatus iconographic that are released and come alive between the neoclassical architectural structures of the square, waving from side to side until you invite the entrance of the museum and in the entrance of Scala.
Through 12 synchronous projections, the areas of the facades of the four main buildings took life: Palazzo Beltrami, Palazzo Marino, Palazzo Anguissola and La Scala. Great figures paintings have been enlivened between the columns, pilasters, windows, other architectural elements, to come alive in a discreet dissolve with living figures and updated, moving along the entire span of the building, sometimes passing from one to another . A soft and compelling dialogue between architectural design and figuring. Three are the different historical periods and emblematic related to the representation of the human body, which take the arc outlined in titration “from Canova to Boccioni.” In fact the diaphanous bodies and marble of Canova are followed by those ethereal and dematerialized figures of Symbolism and Art Nouveau, until you get to the dynamic body of Futurism. Three moments that characterize the Piazza la Scala with different atmospheres maintaining a rigorous and consistent approach with the cultural theme of the evening. The techniques of mapping have also given life and enhanced the architectural signs with light and graphics typical of this language, but did not go overboard in a decorative and surprising ending in itself.
SHOT with REDCAMERA @ Fabbrica del Vapore, Milano
Show: 4 Videoprojectors, 6 audio speakers , 1 PC
FARE GLI ITALIANI | 1861-2011
multimedia exhibition // Torino 2011
Production + Multimedia & Software Development
An Exhibithion for the 150 years of the Italian history The exhibition is based on a historiographical hypothesis times to give meaning and importance to the process of construction of the Italians through the themes that have mostly pushed towards an integration process or conversely those who have moved away. The art project born of this hypothesis takes shape by comparison with the extraordinary space of the Officine Grandi Riparazioni, a complex of industrial archeology from the ‘900, chosen to host it. In both, are resonating terms that lead to action: making and repairing. It is an exhibition to take part more than to contemplate, an exhibition laboratory more than an exhibition of illustration. There is an intention to create an open scenario, visible, large, limiting to the minimum its fragmentation with vertical divisions trying to enhance the majestic amplitude. The first feature is precisely the size of the open stage, where are found the thematic areas and flowing chronological streams drive the visitor in the progress of historical time and in the succession of events. The second element is the plurality. It’s an Italy where the group is manifested more than the individual and where the icon widespread and repeated is the overall image. 
Technical description: 85 videoprojectors, 30 monitor, 46 audio amplifiers, 20 audio mixer, 180 audio speakers (of directional, speaker, subwoofer), 260 lights (of shapers, spots, fireflies and flaps), 110 computer, 73 projection screens (10 holopro screens, 49 holografic film screens, 11 retroprojection screens, 3 frontal projection screens ), interaction systems based on RFID and Tag, 41 RFID antennas, interaction system based on camera-vision technology
MEMUS – ARTE ALL’OPERA, OPERA ALL’ARTE
multimedia museum // Napoli 2011
Software & Hardware Development
Studio Azzurro has accepted the challenge given by Memus and revisited the most important and recent productions of the Teatro San Carlo in Naples in six reinterpreting “paraphrase” visuals, six masterpieces of opera, staged by six major international contemporary artists. A multimedia strongly characterized by the narrative and putting the visitor, not with a “point of view” in front of the work on display but with an original and immersive “point of life.” The visit in this section of Memus conforms well as viewing and listening to the music “inside” and not in front of a fantastic and incredible musical instrument. The works of Adami, Kentridge, Kiefer, Marden, Paladino and Paolini, are reinterpreted and staged through screens and fifth-dimensional images with an immersive effect thus allowing the public to be a spectator and at the same time “actor” and protagonist of ‘work. Technical description: 7 Videoprojectors, 3 Pico Projectors, 6 audio speakers , 2 MAC Pro, interaction interfaces, 3 systems for sensitive surfaces, 1 Monitor Touch Screen 42”, 8 Light Shapers, 3 audio amplifiers, 1 audio mixer, Projection Screens, Stereoscopic glasses
A ORIENTE
multimedia exhibition // Roma 2011
Software & Hardware Development
City, men and gods on the Silk Roads The common thread of the three great religions that characterized the land routes of the Silk Road from the second century. B.C. to the fourteenth century A.D. accompanies the visitor along a complex multimedia route that winds in the evocative atmosphere of the Baths of Diocletian, exceptionally open for this occasion by the Superintendence for Archaeological Heritage of Rome. Through the filters of the look, sounds, voices and gestures, the staging media plays twelve emblematic places, able to tell the complexity and the cultural and religious contamination identity of the Silk Roads. The wooden crate, storage system of the archaeological material stored in these spaces, becomes a metaphor for the journey and support for video installations, useful for the staging that develops here, in time and space, between preciousexhibits and rare pieces that dialogue with large scenarios, echoes of distant voices and stories of places and timeless characters. The route, which starts with a great animated map, go to Palmyra, Tur ‘Abdin, Ctesiphon, Taq-e Bostan, Merv, Samarkand, Ghazni, the valleys of Swat, Kucha, Turfan, Dunhuang and Xi’an, stops where the journey chase traces draws ancient streets and weaving stories lost in the memory of travelers and people who lived and live in those places. On the way, using scientific advice IsIAO and scientific care of Francesco D’Arelli and Pierfrancesco Callieri, the multimedia installations are a counterpoint to the unique experience of being able to continuously enjoy the works of inestimable value as the Mongolian and Map Bible of Marco Polo, never exhibited before. Works that are offered to us as a precious gift at the end of the trip, and they encapsulate charm and content. Technical description: 30 Videoprojectors, 14 interactive videoplayer HD, 18 computer, 6 directional audio speakers, 30 passive audio diffusors, 30 audio amp, 11 audio mixer, 1 sensibile carpet, 4 interactive books w/ RFID technology, 4 interactive plumes, 1 system for sensibile surfaces, sensors for interaction, 2 holografic plates, 120 lights, 11 DMX
VALENTIA SENSIBILE
multimedia museum // Vibo Valentia 2011 
Interactive Multimedia Building
“Tales of the Horizons” and “The Box Assembly” are two multimedia installations that Studio Azzurro has designed and implemented for “Valentia Sensitive” project under Contemporary Senses to enhance and promote the environmental and cultural heritage of the area, through the expressive language of contemporary art. Valentia Sensitive started its path by defining the cultural map of the vibonese territory to compose the plot of benefit his signs, acting on the contemporary as a tool to enhance the cultural identity and memory of places, connecting technology and art. The video installations represent the start of Valentia Sensitive, which has the ambition to implement the first railway creative – where combining culture, experimentation and tradition – in Calabria. 
Technical description: I racconti degli orizzonti // Tales of the Horizons 8 monitor LCD 50” w/ integrated audio, 8x on air system on 8 memory boards, 1 main system w/ cpu for sensors, audio, video, data La scatola di montaggio // The Box Assembly 1computer, 1 monitor LCD 50” w/ integrated audio, 1 touchpad